I watched the latest episode of “The Walking Dead” on Day 21 and the final presidential debate on Day 22, so I didn’t have time for horror movies on these days. On Day 23, I watched Stuart Gordon’s “From Beyond,” a very entertaining mad scientist creature feature.
Mad scientists Dr. Pretorius and Dr. Tillinghast
have built a device known as the Resonator that stimulates the brain’s pineal
gland and thus enables anyone within range to see creatures that exist beyond
our perceptible reality. The only
problem is that the Resonator gives the creatures the same ability and when
they see the two scientists for the first time one bites the side of
Tillinghast’s face and another eats Pretorius’s head. Tillinghast is blamed for Pretorius’s murder
and locked in an insane asylum, but Dr. McMichaels, the psychiatrist treating
him, believes his story and wants to learn more about the Resonator. She has him released under her supervision,
and she and Tillinghast rebuild the device.
Creatures appear, including a mutated Pretorius, and things quickly get
out of hand.
Gordon, best known for the mad-scientist classic “Re-Animator”
(1985), does creature features and mad scientist movies better than anyone currently
working in horror, and in “From Beyond”
he was clearly reveling in his appreciation for both subgenres. Part of what makes this movie so enjoyable is
the interplay among the three mad scientists.
Tillinghast, played by Jeffrey Combs also of “Re-Animator” fame, is the
least mad of the three, and throughout the movie he struggles to restrain the
mutated Pretorius and prevent McMichaels from descending even further into
madness as she becomes more and more obsessed with the Resonator. The other reason to watch “From Beyond” is
the creatures. They start off as small
wormlike beings that seem to swim through the air, but as the movie progresses
they get much larger. At one point,
Tillinghast has to be pulled from the mouth of a giant worm, leaving him bald
and scarred.
This was another very enjoyable 80’s horror movie
that I had neglected for far too long.
Watching it reminded me that although Stuart Gordon has continuously
made good horror movies since the mid 80’s (“Dagon” (2001) and his episodes for
the “Masters of Horror" (2005, 2007) are the most recent examples), he is
underappreciated. This is probably because none of his movies have received wide theatrical releases or
acquired the cult status of movies like “The Texas Chainsaw Massacre” or “Halloween.” As a result, only hardcore fans
recognize the name Stuart Gordon, whereas people with only a passing interest
in the genre are familiar with John Carpenter and maybe Tobe Hooper, despite
the fact that no one really cares about their recent work. There is, however, a cover story about Gordon
in the current issue of “Fangoria,” which I hope will inspire new interest in
his work.
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